DIONNYS MATOS
ALEJANDRO JUSTIZ
ALEJANDRO JUSTIZ














A new series of 70 Download & Donate digital drawings and a short film.
OCCASIONAL LANDSCAPES
SAMUEL RIERA
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
AILEN MALETA
RIGO (JOSÉ RIGOBERTO RODRÍGUEZ CAMACHO)
UNA COLECCIÓN, EN SU MAYORÍA, DE PEQUEÑOS TESOROS
TÓMATE UN MINUTO: UNA MUESTRA DE RESISTENCIA
TÓMATE UN MINUTO: UNA MUESTRA DE RESISTENCIA
Es sabido que las cosas buenas vienen en pequeños paquetes, y estamos de acuerdo. Con ese fin, hemos curado una exposición compuesta principalmente de pequeñas obras, el tipo de obras pequeñas que devienen grandes regalos.
Lo invitamos a que pase y vea más de 150 obras disponibles de los artistas: Abel López, Alejandro Justiz, Damián Valdés Dilla, Sandra Cordero, Douglas Argüelles Cruz, Gabriela Pez, Jorly González Contador, Luis Alberto Álvarez López, Roger Toledo, Samuel Riera, R10, William Acosta, Rigo, Yamilys Brito Jorge, Danco Robert du Portai, Dionnys Matos Sarmiento, Juan Carlos Vásquez Lima, Roberto Vantour Causse, Vladimir Rodríguez, José Ernesto Saborido Martín y Edgar Saúl Marrero Molina.
¿Mencionamos que serían un gran regalo? (¡Incluso para ti mismo!).
La exposición está en sala desde el 27/11/2020 hasta el 31/01/2021.
Take a Minute: A Show of Resilience será la primera muestra individual del artista multidisciplinario Dionnys Matos. Su obra deviene celebración a la materialidad y a la inventiva. Matos se esfuerza por concientizar sobre el daño que causa al mundo natural nuestra cultura del consumo, la caducidad programada y el desperdicio, a través de su exploración de la realidad más constatable y el uso de su estética personal como camuflaje. El artista encuentra la belleza en lo cotidiano al reciclar y reutilizar vasos de plástico, cuencos de espuma de poliestireno, materiales de embalaje y plástico de burbujas como parte de su lenguaje.
El orden de las cosas es una serie de fotografías analógicas de formato medio y de composiciones en forma de naturaleza muerta manipuladas digitalmente que se determinan en una paleta sofisticada e sorprendente, que satura el primer plano, el fondo y los propios objetos, creando a la vez iconos sorprendentes y meditativos, primitivos y totémicos, de detritos al uso.
Su majestuosa Ola, un mural de cuatro paneles de casi 6' x 12', está hecha de plástico de burbujas inyectado con acrílico. La calidad premonitoria del cielo del atardecer y la perspectiva del espectador de verse abrumado por el mar agitado recuerdan a Untitled (Raft at Sea) de Longo y quizás a La gran ola de Kanagawa de Hokusai. El artista apunta que es un comentario sobre la degradación de nuestros océanos por el plástico. En lugar de que el mar sea tomado por los vencido en su degradación, aquí, capturado en un momento de invencibilidad, el mar se venga, dominando el sustrato de plástico. Es, también, una venganza.
Exposición a la vista del 17/02/2021 al 18/04/2021.
VIDEOS
R10
APPLE IN MY HEAD
The first New York solo exhibition by Cuban artist Jorge Rodríguez Diez (R10), Apple In My Head was a pop-up exhibit on display in the Lazy Susan Gallery at 191 Henry Street which ran from November 3rd - November 14th, 2018.
Apple in My Head, the New York premiere exhibition of Cuban artist and designer Jorge Rodríguez Diez, known as R10, presents a group of ten new works, which, as the title suggests, were created with NYC in mind. Looking to deepen his personal understanding of Cuban history and society, this series builds on the artist’s previous explorations which began with the Special Period, examined through the lens of current world events focused by his almost compulsive daily monitoring of the news.
In his characteristic style, R10 creates decodable poster-like paintings using 50’s era nostalgic imagery, text and a thoughtfully considered color palette to conjure atmospheres of lost decades of Cuban culture. Puzzling you is the nature of R10’s game. As a trained Graphic Designer, he begins with a clear idea, concisely communicated yet purposefully ambiguous; at times satirical, at times sincere, and uses layers of meaning so the viewer can choose what they are seeing and what the images reveal. Apple in My Head’s images mix memories of the past with current anxieties and hopes for the future with a shadow of uncertainty.
As noted by the Cuban art critic, Nelson Herrera Ysla, in his essay, Todo mezclado en R10 (Everything Mixed in R10)*:
R10's works ‘explore the relationships between the universe of graphic design, drawing, and painting. His work is focused on reformulating and activating those relationships that were lost for decades in Cuba due to the unquestionable primacy that painting always had over other expressions of our visual culture. In this way, the artist has been resolute in activating the multiple senses that emerge from the integration of different visual universes, as well as in trying to erase the historically established borders between them, creating a new esthetic dimension rarely seen in our cultural environment…The integration that the artist makes of graphic and pictorial elements is solid in each of his works: nothing is created randomly, making them difficult to classify as drawings, posters, or paintings, because they result in being all of these at the same time, everything mixed, making his works unique within the Cuban art scene.’
Works by Jorge Rodríguez Diez (R10) b.1969, have been shown in numerous solo and group exhibitions in Spain, China, Germany and South Korea including a solo show at Icheri Secher Modern Art Center in Azerbaijan and most recently at the Marta Hewitt Gallery in Cincinnati, OH. His work has been published in Art OnCuba magazine and on www.RollingStone.com. R10 studied at the Technical Institute of Industrial Design and the Superior Institute of Design in Havana.
Thomas Nickles Project is pleased to present this solo pop-up exhibition at Lazy Susan Gallery, 191 Henry Street. Opening Party, Saturday, November 3rd, 6-8pm. The artist will present a talk at 5pm.
* Text translated from the original Spanish
Press Release:
R10 creates decodable poster-like paintings using 50’s era nostalgic imagery, text and a thoughtfully considered color palette to conjure atmospheres of lost decades of Cuban culture. Puzzling you is the nature of R10’s game. As a trained Graphic Designer, he begins with a clear idea, concisely communicated yet purposefully ambiguous; at times satirical, at times sincere, he uses layers of meaning so the viewer can choose what they are seeing and what the images reveal. Apple in My Head’s images mix memories of the past with current anxieties and hopes for the future in a shadow of uncertainty.
Works by Jorge Rodríguez Diez (R10) b.1969, have been shown in numerous solo and group exhibitions in Spain, China, Germany and South Korea including a solo show at Icheri Secher Modern Art Center in Azerbaijan and most recently at the Marta Hewitt Gallery in Cincinnati, OH. R10 studied at the Technical Institute of Industrial Design and the Superior Institute of Design in Havana.

Rich High, 2018
Acrylic on Canvas
55" x 39"

The Eight Years Itch, 2018
Acrylic on Canvas
32" x 47"

I Love New York, 2018
Acrylic on Canvas
36" x 47"

Meet The Locals, 2018
Acrylic on Canvas
32" x 47"
SOLD

A Political Break, 2018
Acrylic on Canvas
36" x 48"

The Very Last Push, 2018
Acrylic on Canvas
36" x 52"

In The Dark of the Night, 2018
Acrylic on Canvas
39" x 52"
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Original Project, 2018
Acrylic on Canvas
32" x 47"

Annoying Cuban Noises, 2018
Acrylic on Canvas
32" x 47"

Missing Link, 2018
Acrylic on Canvas
36" x 46"
SOLD

Potential (Diptych), 2018
Acrylic on Canvas
16” x 16” & 32” x 47”
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Frame Series 4, 2018
Mixed Media
13” x 13”
SOLD
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Frame Series 1, 2018
Mixed Media
15” x 15”
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Frame Series 2, 2018
Mixed Media
16” x 16”
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Frame Series 3, 2018
Mixed Media
13” x 13”
SOLD